Top 10 list of the best action movies of 2009. big budget movies. Best Action Films of 2009, 2009 action movies blockbuster. action movies on dvd 2009
1. Avatar
takes us to a spectacular world beyond imagination, where a reluctant hero embarks on an epic adventure, ultimately fighting to save the alien world he has learned to call home. James Cameron, the Oscar-winning director of "Titanic," first conceived the film 15 years ago, when the means to realize his vision did not exist yet. Now, after four years of production, AVATAR, a live action film with.
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2. Star Trek 2009
J.J. Abrams' 2009 feature film was billed as "not your father's Star Trek," but your father will probably love it anyway. And what's not to love? It has enoughaction , emotional impact, humor, and sheer fun for any moviegoer, and Trekkers will enjoy plenty of insider references and a cast that seems ideally suited to portray the characters we know they'll become later. Both a prequel and a reboot, Star Trek introduces us to James T. Kirk (Chris Pine of The Princess Diaries 2), a sharp but aimless young man who's prodded by a Starfleet captain, Christopher Pike (Bruce Greenwood), to enlist and make a difference. At the Academy, Kirk runs afoul of a Vulcan commander named Spock (Zachary Quinto of Heroes), but their conflict has to take a back seat when Starfleet, including its new ship, the Enterprise, has to answer an emergency call from Vulcan. What follows is a stirring tale of genocide and revenge launched by a Romulan (Eric Bana) with a particular interest in Spock, and we get to see the familiar crew come together, including McCoy (Karl Urban), Uhura (Zoe Saldana), Sulu (John Cho), Chekhov (Anton Yelchin), and Scottie (Simon Pegg).
3. Inglourious Basterds
Although Quentin Tarantino has cherished Enzo G. Castellari's 1978 "macaroni" war flick The Inglorious Bastards for most of his film-geek life, his own Inglourious Basterds is no remake. Instead, as hinted by the Tarantino-esque misspelling, this is a lunatic fantasia of WWII, a brazen re-imagining of both history and the behind-enemy-lines war film subgenre. There's a Dirty Not-Quite-Dozen of mostly Jewish commandos, led by a Tennessee good ol' boy named Aldo Raine (Brad Pitt) who reckons each warrior owes him one hundred Nazi scalps--and he means that literally. Even as Raine's band strikes terror into the Nazi occupiers of France, a diabolically smart and self-assured German officer named Landa (Christoph Waltz) is busy validating his own legend as "The Jew Hunter." Along the way, he wipes out the rural family of a grave young girl (Melanie Laurent) who will reappear years later in Paris, dreaming of vengeance on an epic scale.
4. Terminator Salvation
In the aftermath of Judgment Day and the machine takeover, resistance leader John Connor (Christian Bale) must counter Skynet's plan to terminate mankind. Rallying his underground street fighters for a last, desperate battle, he realizes that to save the future he must rescue his own father Kyle Reese (Anton Yelchin). But the most shocking discovery comes with the arrival of Marcus Wright (Sam Worthington), a mysterious loner from the past who challenges Connor with an impossible choice and leads them both on a brutal journey into the heart of the enemy.
5. District 9
A provocative science fiction drama, District 9 boasts an original story that gets a little lost in blow-'em-up mayhem. Set in Johannesburg, South Africa, District 9 begins as a mock documentary about the imminent eviction of extraterrestrials from a pathetic shantytown (called District 9). The creatures, it turns out, have been on Earth for years, having arrived sickly and starving. Initially received by humans with compassion and care, the aliens are now mired in blighted conditions typical of long-term refugee camps unwanted by a hostile, host society. With the creatures' care contracted out to a for-profit corporation, the shantytown has become a violent slum. The aliens sift through massive piles of junk while their minders secretly research weapons technology that arrived on the visitors' spacecraft.
6. X-Men Origins: Wolverine
fan favorite of the X-Men universe in both comic books and film, gets his own movie vehicle with X-Men Origins: Wolverine, a tale that reaches way, way back into the hairy mutant's story. Somewhere in the wilds of northwest Canada in the early 1800s, two boys grow up amid violence: half-brothers with very special powers. Eventually they will become the near-indestructible warriors (and victims of a super-secret government program) known as Wolverine and Sabretooth, played respectively by Hugh Jackman (returning to his role) and Liev Schreiber (new to the scene). It helps enormously to have Schreiber, an actor of brawny skills, as the showiest villain; the guy can put genuine menace into a vocal inflection or a shift of the eyes. Danny Huston is the sinister government operative whose experiments keep pullin' Wolverine back in, Lynn Collins is the woman who shares a peaceful Canadian co-existence with our hero when he tries to drop out of the program, and Ryan Reynolds adds needed humor, at least for a while. The fast-paced early reels give an entertaining kick-off to the Wolverine saga, only to slow down when a proper plot must be put together--but isn't that perpetually the problem with origin stories? And despite a cool setting, the grand finale is a little hemmed in by certain plot essentials that must be in place for the sequels, which may be why characters do nonsensical things. So, this one is fun while it lasts, if you're not looking for a masterpiece, or an explanation for Wolverine's facial grooming. --Robert Horton
7. 2012 (the movie)
Never before has a date in history been so significant to so many cultures, so many religions, scientists, and governments. A global cataclysm brings an end to the world and tells of the heroic struggle of the survivors.
8. Watchmen
Everybody's favorite graphic novel comes to the screen (after years of rumors and false starts), less a roaring work of adaptation than a respectful and faithful take on a radical original. Watchmen is set in the mid-1980s, a time of increased nuclear tension between the United States and the Soviet Union, as Richard Nixon is enjoying his fifth term as president and the world's superheroes have been forcibly retired. (As you can probably tell, the mix of authentic history and alternate reality is heady.) Things begin with a bang: the mysterious high-rise murder of the Comedian (Jeffrey Dean Morgan), a masked hero with a checkered past, puts the rest of the retired superhero community on alert. The credits sequence, a series of tableaux that wittily catches us up on crime-fighting backstory, actually turns out to be the high point of the movie.
9. Public Enemies
Since crime auteur Michael Mann, like his protagonists, plays by his own rules, Public Enemies eschews back story and motivation for a closely-observed, action-packed examination of men at work. FBI supremo J. Edgar Hoover (Billy Crudup) kick-starts a nationwide manhunt when he proclaims John Dillinger (Johnny Depp, in top form) Public Enemy #1. Hoover taps Agent Melvin Purvis (Christian Bale) to bring the Tommy Gun-toting bank robber in by any means necessary (the agency also targets Pretty Boy Floyd and Baby Face Nelson). If Dillinger had split the scene then and there, he might have enjoyed a happier fate, but he falls for beautiful coat-check girl Billie Frechette (Marion Cotillard, whose open-hearted performance makes her the most sympathetic character in the film). In the end, though, Dillinger is the captain of his own destiny: his loyalty to his girl and his gang overpowers his desire to live free. Though the director also set his first film, Thief, and third series, Crime Story, in his native Chicago, Public Enemies plays more like Heat in Depression-era garb. In that L.A. policier, Al Pacino's cop develops a grudging respect for Robert De Niro's criminal, but letting a lawbreaker go free isn't an option. In this case, however, the tight-lipped Purvis never develops the same sort of esteem for Dillinger--or Hoover--making him the more tragic figure. If Public Enemies is less overtly commercial than The Untouchables or Bugsy, it's still the best mainstream gangster epic in ages and ranks among Mann's finest works. --Kathleen C. Fennessy
10. Zombieland
If there's been a zombie apocalypse and you're road-tripping alone though the wasteland, you could do worse than run into Tallahassee (Woody Harrelson), a bourbon-swilling bad-boy butt-kicker with a really cool car. This is where the careful hero of Zombieland, a kid nicknamed Columbus (Jesse Eisenberg), finds himself early in the film, and you can hardly blame him for hitching a ride with this swaggering Alpha Male. Still, they have their hands full not only with gibbering zombies but also with two sisters (Emma Stone and Abigail Breslin) who will stop at nothing to reach a Disneyland-like amusement park in L.A. Although Zombieland gets off to a rocky start with Columbus's overly-cute narration (he's got a list of rules for surviving in the zombie world), it settles into an amusing comedy, regularly interrupted by bouts of blood-letting. The road-trip stuff is enough fun that when the movie does arrive at its version of Disneyland, the air goes out of it a little; sure, there's a giant zombie blowout, with entrails flying, but it's not quite the same. Director Ruben Fleischer keeps the gags coming, although the movie is often funnier in its odd little asides (both Eisenberg and Harrelson are expert at this) than in its official jokes. Comic high point: an interlude at the home of a very famous movie star, who plays himself--and we'll leave the spoiler unspoiled, in case anybody hasn't heard about this funny extended cameo. --Robert Horton
